{"id":32036,"date":"2026-10-20T01:48:41","date_gmt":"2026-10-19T22:48:41","guid":{"rendered":"https:\/\/lowair.lt\/renginys\/simpoziumas-ue-2026\/"},"modified":"2026-10-20T02:02:42","modified_gmt":"2026-10-19T23:02:42","slug":"symposium-ue-2026","status":"publish","type":"tribe_events","link":"https:\/\/lowair.lt\/en\/event\/symposium-ue-2026\/","title":{"rendered":"SYMPOSIUM | Urban Dance Practices Between the Neighbourhood, Stage and Screen | Urban Essentials"},"content":{"rendered":"\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

SYMPOSIUM | Urban Dance Practices Between the Neighbourhood, Stage and Screen | Urban Essentials<\/h1>\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\tLithuanian Academy of Music and Theatre | Balcony Theatre<\/span>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\tGedimino av. 42, Vilnius<\/span>\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t\t2026.11.12<\/span>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t
\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

The symposium \u201cUrban Dance Practices Between the Neighbourhood, Stage and Screen\u201d explores how hip-hop, club and urban dance practices move between neighbourhoods, theatre and media. Relationships, learning experiences, sounds, memories of place and codes of conduct travel alongside movement. In a new setting, dance encounters different floors, spatial boundaries, lighting, the camera\u2019s gaze and the presence of an audience. How do these conditions change movement and its meaning?<\/p>

The symposium welcomes researchers, artists, dancers and educators involved in street, club and urban dance, as well as anyone interested in how these dance forms are created and experienced in different contexts.<\/p>

What changes when improvisation is repeated on stage, movement learned within a community becomes part of an authored choreography, a fragment of an encounter becomes a video or social media content, and a theatre or festival, as an institution, participates in shaping the conditions under which dance is presented?<\/p>

Who gains authorship, visibility and the authority to evaluate through these transitions? Whose contributions become less visible? What does a live encounter allow us to experience, and what does a recording highlight or leave out of frame? How does this change our relationship with the place and community from which the dance emerged?<\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t

\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Symposium<\/h2>\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

12 November 2026<\/b>
Venue: Balcony Theatre, Lithuanian Academy of Music and Theatre (LMTA), Gedimino pr. 42, Vilnius<\/b><\/p>

The symposium will be held in English. Presentations will be recorded. If you prefer not to appear on camera, please let us know when registering.<\/p><\/div>

\u00a0<\/div><\/div>
Only registration is required to attend symposium \u2013 https:\/\/urbanessentials.lt\/en\/renginys\/hip-hop-symposium-2026\/<\/a><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

~ 9:30 Klausytoj\u0173\/dalyvi\u0173 registracija<\/h2>\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Simpoziumo pokalbius lydi: Airida Gudait\u0117 (LMTA meno doktorant\u0117, Low Air Vilniaus miesto \u0161okio teatras | mokykla k\u016brybos vadov\u0117, choreograf\u0117) ir Laurynas \u017dakevi\u010dius (Low Air Vilniaus miesto \u0161okio teatras | vadovas, choreografas, prodiuseris)<\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

~ 10:00 \u2013 10:20 Airida Gudait\u0117 | sveikinimo \u017eodis ir praktikos fragmentas<\/h2>\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Urbanistinio \u0161okio transformacijos: tarp ekrano, scenos ir rajono<\/div>
Santykis kaip transformacijos s\u0105lyga<\/div>
\u00a0<\/div>
Kas nutinka judesiui, kai kei\u010diasi jo aplinka, steb\u0117jimo s\u0105lygos ir dalyvavimo b\u016bdai? Pasitelkiant autoetnografin\u0119 prieig\u0105, choreografin\u012f veiksm\u0105, vaizdo dokumentacij\u0105 ir dalyvi\u0173 refleksijas, performatyviame pristatyme nagrin\u0117jamos gatv\u0117s \u0161okio transformacijos, urbanistinio \u0161okio jud\u0117jimas tarp medij\u0173, vie\u0161\u0173j\u0173 miesto erdvi\u0173 ir teatro scenos. Pristatymas remiasi asmenine Airidos Gudait\u0117s \u0161okio patirtimi: mokymusi stebint ir atkartojant ekrane matytus judesius, dalyvavimu televizijos \u0161okio laidose, pasirodymais teatruose ir galerijose bei meniniais tyrimais Vilniaus rajonuose. \u0160ios patirtys tampa atspirties ta\u0161ku svarstyti, kaip skirtingose terp\u0117se kinta choreografiniai procesai, atlik\u0117jo ir \u017ei\u016brovo pozicijos bei \u0161okio suvokimas ir vertinimas.<\/div>
_______________________
Airida Gudait\u0117 \u2013 \u0161ok\u0117ja, choreograf\u0117, Lietuvos muzikos ir teatro akademijos meno doktorant\u0117, Vilniaus miesto \u0161okio teatro ir mokyklos \u201eLow Air\u201c bendra\u012fk\u016br\u0117ja ir meno vadov\u0117. Savo k\u016bryboje ir menin\u0117je praktikoje nagrin\u0117ja hiphopo kult\u016bros ir gatv\u0117s \u0161okio sklaid\u0105 bei transformacijas, atsispirdama nuo asmenin\u0117s patirties Lietuvos \u0161okio aplinkoje ir main\u0173 su kit\u0173 \u0161ali\u0173 \u0161okio bendruomen\u0117mis. Tyrin\u0117ja, kaip per medijas, mokym\u0105si ir neformalius bendruomen\u0117s susib\u016brimus perimamos \u0161okio praktikos \u012fsira\u0161o k\u016bne, transformuojasi meno institucijose ir gr\u012f\u017eta \u012f miesto rajonus, kur \u012fgyja nauj\u0173 socialini\u0173 reik\u0161mi\u0173 bei form\u0173. Kelia klausim\u0105, kaip k\u016bn\u0173 ir skirting\u0173 terpi\u0173 s\u0105veikos atveria ar riboja galimybes jud\u0117ti, dalyvauti ir steb\u0117ti. \u0160ias transformacijas apm\u0105sto pasitelkdama urbanistinio \u0161okio samprat\u0105 \u2013 j\u0105 pl\u0117toja kaip santyki\u0173 kra\u0161tovaizd\u012f, kuriame k\u016bnai, technologijos ir aplinka nuolat veikia ir kei\u010dia vieni kitus.<\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

~ 10:20 \u2013 10:40 Jonas Frey praktikos fragmentas<\/h2>\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Prieigos i\u0161 tarpin\u0117s erdv\u0117s<\/div>
\u00a0<\/div>
Kaip savaranki\u0161kas mokymasis, \u0161okio rato (cypher) praktika ir kvietimo bei atsako principas gali b\u016bti pasitelkiami choreografin\u0117je k\u016bryboje? Kokios \u017einios jau gl\u016bdi k\u016bnuose, erdv\u0117se ir bendrak\u016br\u0117j\u0173 patirtyse? Kaip jas atskleisti ir sudaryti s\u0105lygas jomis dalytis?<\/div>
\u00a0<\/div>
\u201eMano k\u016bryba kyla i\u0161 s\u0105veikos tarp institucionalizuoto, akademi\u0161kai d\u0117stomo \u0161okio ir \u0161okio praktik\u0173, grind\u017eiam\u0173 savaranki\u0161ku mokymusi, mokymusi vieniems i\u0161 kit\u0173 bei bendruomeni\u0161kumu. Savo menin\u0117je praktikoje erdv\u0119 suvokiu ne vien kaip fizin\u0119 \u2013 tai ir erdv\u0117 dialogui, mintims bei id\u0117joms. J\u0105 formuoja trintis tarp kanonizuot\u0173 princip\u0173 ir i\u0161 apa\u010dios kylan\u010di\u0173 jud\u0117jim\u0173. Tyrin\u0117ju, kaip art\u0117jame vieni prie kit\u0173, kuriame dialog\u0105, ie\u0161kome bendro pagrindo ir paliekame vietos skirtumams. Remdamasis mikroistorija ir k\u016bni\u0161ku judesio bei erdv\u0117s tyrin\u0117jimu, dalijuosi darbo \u0161iame \u0161okio praktik\u0173 lauke pavyzd\u017eiais ir b\u016bdais\u201c, \u2013 Jonas Frey.<\/div>
___________________
Jonas Frey \u2013 Vokietijoje gyvenantis ir kuriantis choreografas, \u0161ok\u0117jas ir \u0161okio pedagogas, savo k\u016brybin\u012f keli\u0105 prad\u0117j\u0119s nuo hiphopo ir breiko. Jis baig\u0117 \u201eArtEZ\u201c \u0161okio mokykl\u0105 ir \u012fgijo choreografijos magistro laipsn\u012f \u201eCodarts\u201c \/ \u201eFontys\u201c. Savo k\u016bryboje jis jungia klubinius ir gatv\u0117s \u0161okius su \u0161iuolaikine choreografija. Menin\u0117je praktikoje Jonas Frey tyrin\u0117ja, kaip klubini\u0173 ir gatv\u0117s \u0161oki\u0173 formas, vertybes bei \u017einias galima dekonstruoti ir naujai pritaikyti choreografin\u0117je k\u016bryboje. Vadovaudamasis hiphopo principais \u2013 each one teach one (\u201ekiekvienas moko kit\u0105\u201c), originalumu ir nuolatiniu mokymusi \u2013 jis pl\u0117toja bendros k\u016brybos procesus, kuriuose bendradarbiai tampa bendraautoriais. Jo tyrimuose k\u016bnas suvokiamas kaip archyvas, o atmintis, istorija ir asmenin\u0117 patirtis \u012fgauna fizin\u0119 i\u0161rai\u0161k\u0105.<\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

~ 10:40 \u2013 11:00 Farah Deen & Olivia Mitterhuemer praktikos fragmentas<\/h2>\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Flavourama Performatory<\/div>

\u201eFlavourama Performatory\u201c tyrin\u0117ja, kaip gatv\u0117s ir klubiniai \u0161okiai gali u\u017emegzti dialog\u0105 su vizualiuoju menu ir atliepti nauj\u0105 erdvin\u012f kontekst\u0105. Performans\u0173 mar\u0161rute po muziej\u0173 \u0161ok\u0117jai ir muzikantai susitinka kurti improvizacija gr\u012fst\u0173 pasirodym\u0173. Gyva muzika s\u0105veikauja su \u0161ok\u0117jais, meno k\u016briniais ir parodos erdve, kurdama netik\u0117tas skirting\u0173 menini\u0173 praktik\u0173 jungtis.<\/div>
_____________________
Olivia Mitterhuemer ir Farah Deen \u2013 Austrijoje kurian\u010dios \u0161ok\u0117jos, choreograf\u0117s ir \u0161okio pedagog\u0117s, kolektyvo \u201ePotpourri Dance\u201c ir tarptautinio hiphopo bei house \u0161oki\u0173 festivalio \u201eFlavourama\u201c bendra\u012fk\u016br\u0117jos ir meno vadov\u0117s. Savo veikloje jos siekia pristatyti gatv\u0117s ir klubinius \u0161okius \u012fvairiose erdv\u0117se bei kontekstuose, kurdamos ry\u0161ius tarp skirting\u0173 meno form\u0173 ir socialini\u0173 aplink\u0173.<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

II dalis<\/h2>\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
~ 11:00 \u2013 11:30 Kavos pertrauk\u0117l\u0117<\/div>
\u00a0<\/div>
~ 11:30 \u2013 12:30 Patir\u010di\u0173 ir klausim\u0173 ratas.<\/div>
\u00a0<\/div>
Kvie\u010diame dalyvauti visus simpoziumo dalyvius. Simpoziume patirtus judesius, matytus vaizdus ir gird\u0117tus pasakojimus gretinsime su savo patirtimis ir k\u016bno archyvais \u2013 tuo, k\u0105 esame i\u0161mok\u0119, \u0161ok\u0119, steb\u0117j\u0119 ir i\u0161saugoj\u0119 k\u016bno atmintyje. Ie\u0161kosime, kur m\u016bs\u0173 patirtys susilie\u010dia, kur i\u0161siskiria ir kokius klausimus \u0161ie susitikimai atveria.<\/div>
\u00a0<\/div>
~ 12:30 \u2013 13:00 K\u0105 parsine\u0161ame \u012f savo rat\u0105?<\/div>

Bendrame rate visus simpoziumo dalyvius kviesime pasidalyti pokalbiuose i\u0161ry\u0161k\u0117jusiais ry\u0161iais, skirtumais ir kilusiais klausimais, taip pat tuo, k\u0105 nor\u0117t\u0173si toliau tyrin\u0117ti savo \u0161okio praktikoje ir bendruomen\u0117je.<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

Urban Essentials<\/h2>\t\t\t\t<\/div>\n\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Urban Essentials yra vienas svarbiausi\u0173 tarptautini\u0173 hiphopo \u0161okio festivali\u0173 Lietuvoje. Kasmet Vilniuje vykstantis renginys \u0161iemet yra Vilniaus miesto \u0161okio teatro \u201eLow Air\u201c 15 met\u0173 k\u016brybin\u0117s veiklos jubiliejaus programos \u201eB\u016bti tarp. Su. Kintant\u201c dalis. Festivalyje \u2013 \u0161okio kovos, \u0161okio spektakliai, seminarai ir diskusijos, vykstan\u010dius skirtingose miesto erdv\u0117se. Tai \u2013 unikali galimyb\u0117 pasinerti \u012f hiphopo \u0161okio kult\u016br\u0105, tobulinti \u012fg\u016bd\u017eius ir patirti Vilni\u0173 kaip gyv\u0105, unikali\u0105 ir autenti\u0161k\u0105 \u0161okio scen\u0105.<\/p>

Featival\u012f finansuoja Lietuvos kult\u016bros taryba, Vilniaus miesto savivaldyb\u0117<\/strong><\/p><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

The symposium \u201cUrban Dance Practices Between the Neighbourhood, Stage and Screen\u201d explores how hip-hop, club and urban dance practices move between neighbourhoods, theatre and media. Relationships, learning experiences, sounds, memories of place and codes of conduct travel alongside movement. <\/p>\n","protected":false},"author":6,"featured_media":32029,"template":"elementor_header_footer","meta":{"_acf_changed":false,"_tribe_events_status":"","_tribe_events_status_reason":"","footnotes":""},"tags":[217],"renginio-tipas":[205],"tribe_events_cat":[226],"class_list":["post-32036","tribe_events","type-tribe_events","status-publish","has-post-thumbnail","hentry","tag-busimas-en","renginio-tipas-spektakliai","tribe_events_cat-teatras","cat_teatras"],"acf":[],"_links":{"self":[{"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/tribe_events\/32036","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/tribe_events"}],"about":[{"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/types\/tribe_events"}],"author":[{"embeddable":true,"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/users\/6"}],"version-history":[{"count":2,"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/tribe_events\/32036\/revisions"}],"predecessor-version":[{"id":32039,"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/tribe_events\/32036\/revisions\/32039"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/media\/32029"}],"wp:attachment":[{"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/media?parent=32036"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/tags?post=32036"},{"taxonomy":"renginio-tipas","embeddable":true,"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/renginio-tipas?post=32036"},{"taxonomy":"tribe_events_cat","embeddable":true,"href":"https:\/\/lowair.lt\/en\/wp-json\/wp\/v2\/tribe_events_cat?post=32036"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}